Here are all of the Symphony Orchestras in Mississippi including professional, community, college and youth ensembles. Zoom in and click on the map location to see the description and a link to their website.
Showing posts with label guides. Show all posts
Showing posts with label guides. Show all posts
Thursday, February 18, 2016
Tuesday, June 16, 2015
12 Reasons Why You Should Use a Metronome Every Time you Practice
12 Reasons Why You Should Use a Metronome Every Time you Practice.
1. No excuses. You can download the app for free if you have a smart phone. Even though I have a drawer full of stand-alone metronomes, I almost always use Pro Metronome on my iPhone. It's convenient, simple, and offers everything I need, including the ability to listen though headphones if I want.
2. It trains you to listen outside of yourself while playing, thus making you a better ensemble player.
2. It trains you to listen outside of yourself while playing, thus making you a better ensemble player.
3. It keeps you honest about your rhythm and tempo, and helps you find errors in your playing. We all have a tendency to rush or drag with certain types of playing. We all have the potential to be lazy about correct subdivision of beats. You can improve and overcome these tendencies.
4. It helps you know what you can and cannot do at certain speeds. We all need work on both faster and slower playing. Keep track of progress as you set goals and work to push your playing ability on both ends of the spectrum. Work to make your scales faster. Work to make your long tones slower.
5. It is a necessary tool when learning challenging syncopated rhythms. Slow it down and really listen. Don't stop listening when you speed it up.
6. Being prepared for performance is all about consistency. Practicing with a metronome reinforces consistent rhythm, tempo, and the ability to play through the piece or excerpt to completion with no mistakes.
7. It makes practice more efficient. Set goals. Play things at both slower and faster tempi than your final goal. Keep track of your progress and write down the speeds at which you have played the excerpt/piece and check them off as you accomplish them.
8. It prepares you to play with backing tracks/click tracks. Playing with that external click takes some getting used to.
9. For rhythms that you're having a hard time figuring out, put down your instrument and clap/sing the rhythms along with the metronome before you add in the extra challenge of playing them.
10. It builds in a sense of tempo markings, so that if you are away from the metronome and see a marking of quarter=140 vs. quarter=132, for example, you understand what speed that is.
11. You can fool most of the people most of the time if you have rock solid rhythm even though you've wigged out about playing the all the correct pitches. Good rhythm comes before correct pitches when it comes to a solid, convincing performance.
12. Techniques such as trills can mess with your sense of time. Always always practice with a metronome when you've got trills....especially long ones.
11. You can fool most of the people most of the time if you have rock solid rhythm even though you've wigged out about playing the all the correct pitches. Good rhythm comes before correct pitches when it comes to a solid, convincing performance.
12. Techniques such as trills can mess with your sense of time. Always always practice with a metronome when you've got trills....especially long ones.
Sunday, January 4, 2015
Double Reed Resources for Composers
Below is a short bibliography, a list of links, and a list of standard repertoire to familiarize yourself with as you begin to write for the double reed family. Many extended techniques are possible. Be aware of the clef preferences for bassoonists who play at different levels (i.e. college students and professionals prefer to read the upper range in tenor clef).
Trevco Music
www.trevcomusic.com
My favorite purveyor of sheet music for double reeds. They offer a vast catalogue of the music that is in print for bassoon, oboe, English horn, double reed ensemble and small ensembles that include double reed instruments.
Ken Watson
http://kwatsonmusic.com
Composer and arranger for double reed instruments. Member of the Washington Double Reed Quartet.
Mike Curtis
http://mikecurtismusic.com
Composer who writes wonderful arrangements of klezmer, jazz and tango music for double reeds and chamber ensembles.
Thomas Dempster
www.thomasdempster.com
Composer and bassoonist who has written several great pieces for bassoon and bassoon in chamber ensemble.
When you write for double reeds, you should find a professional player to ask questions of and to review your manuscript. Clef choices, technique demands (even simple things like slurring from particular notes), extended techniques (such as the use of just the keys for percussive effect), and tendencies of the instruments are not always obvious. To get in touch with a local bassoonist or oboist, seek out regional double reed societies, professional double reed players in your area (through local symphonies, woodwind quintets, and wind ensembles) and area universities that have music departments or schools of music. The double-reed world is small. If you connect with one person, they can likely get you in touch with many more.
Books:
New Sounds for
Woodwind (2nd Ed.) by Bruno Bartolozzi
Library call #: MT339B29 1982, Published by Oxford
University Press
Contains descriptions of how to produce tones with
monophonic possibilities, multiphonic possibilities, combinations of the above,
and fingering diagrams. It is a general guide, with fingerings for all the
woodwind instruments.
Oboe, by Goosens
Library call#: MT360G66, Published by MacMillen Publishing
Contains history of the oboe up to 1800, including bass oboe
and Heckelphone. Also discusses technique, including contemporary music
technique.
Index of Oboe Music,
by Wayne Wilkins
Published by Music Register (1976)
Contains a bibliography of oboe music arranged
alphabetically within genre and includes methods, solo and chamber music and
books of interest.
Contemporary Solo
Literature for the Bassoon: An Analysis of Representative Compositions and a
Survey of Compositions Suitable for the College Student, by Richard Dean
Scott. Library call#: ML128.B26 S360 1971b, Published by University of Illinois
Contains an annotated repertoire list of contemporary solo
music of published works from 1945 to 1971.
Double Reed and Composition Websites:
This is a small list to get you started. My apologies to composer friends and colleagues who have not yet been added to the list. Please let me know if you'd like me to add you.
International Double Reed Society
Must be an IDRS member to have full access to the site (the
journal is available on-line to members), but a great deal of the site is
available to non-members.
Trevco Music
www.trevcomusic.com
My favorite purveyor of sheet music for double reeds. They offer a vast catalogue of the music that is in print for bassoon, oboe, English horn, double reed ensemble and small ensembles that include double reed instruments.
Ken Watson
http://kwatsonmusic.com
Composer and arranger for double reed instruments. Member of the Washington Double Reed Quartet.
Mike Curtis
http://mikecurtismusic.com
Composer who writes wonderful arrangements of klezmer, jazz and tango music for double reeds and chamber ensembles.
Thomas Dempster
www.thomasdempster.com
Composer and bassoonist who has written several great pieces for bassoon and bassoon in chamber ensemble.
When you write for double reeds, you should find a professional player to ask questions of and to review your manuscript. Clef choices, technique demands (even simple things like slurring from particular notes), extended techniques (such as the use of just the keys for percussive effect), and tendencies of the instruments are not always obvious. To get in touch with a local bassoonist or oboist, seek out regional double reed societies, professional double reed players in your area (through local symphonies, woodwind quintets, and wind ensembles) and area universities that have music departments or schools of music. The double-reed world is small. If you connect with one person, they can likely get you in touch with many more.
Standard Bassoon Repertoire in Chronological Order:
1.
Antonio Vivaldi, Concerto in e RV484
2.
Georg Philipp Telemann Sonata in f minor (1728)
3.
W.A. Mozart Concerto
K191 for bassoon and orchestra (1774)
4.
François Devienne Quartet Op. 73 (1798)
5.
Carl Maria von Weber Concerto in F (1811)
6.
Johann Nepomuk Hummel Grand Concerto for Bassoon and Orchestra (1816)
7.
Camille Saint-Saëns Sonata Op. 168 for bassoon and piano (1921)
8.
Heitor Villa-Lobos Ciranda das sete notas for bassoon and string orchestra (1933)
9.
Paul Hindemith Sonata for bassoon and piano
(1939)
10.
Jean Francaix Divertissement for bassoon and string orchestra (1942)
11.
Alvin Etler
Sonata for bassoon and piano (1952)
12.
Wilson Osborne Rhapsody for Bassoon (1952)
13.
Alexandre Tansman Sonatine for bassoon and piano (1952)
14.
André Jolivet Concerto for bassoon, harp, piano
and string orchestra (1954)
15.
John Williams The Five Sacred Trees , a concerto for bassoon and orchestra (1995)
Standard Oboe Repertoire in No Particular Order:
1.
Schumann: Three
Romances
2.
Handel: Sonata
No. 1
3.
Labate: Pastorale
4.
Corelli-Barbirolli: Concerto
5.
Barlow: Winters
Passed
6.
Clerisse: Fantasie
7.
Handel: Concerto
in Bb
8.
Loeillet: Sonata in G
9.
Nielson:Romance and
Humoreske
10.
Handel:Sonata No. II
11.
Guihaud:First Concerto
12.
Valentine:Sonata No. 8
13.
Godard:Legende
Pastorale
14.
Donizetti:Sonata in F
15. Albinoni:Sonata in a
16.
Telemann:Concerto in f
17.
Berio Sequenza
Thursday, September 19, 2013
Double Reed Websites
Some Suggested Double Reed Websites
You saw it here first.
This is the International Organization for oboists and
bassoonists--contains a wealth of information. Become a member and check this
site periodically.
Contains information about the bassoon and bassoonists. The "For Sale" section has ceased, but the list of links is still vast and helpful.
Martin
Schuring’s site contains many excellent articles on oboe topics.
A
GREAT source for double reed music. Searchable online catalog.
Double
reed Music, tools, and accessories. Give them a call for bassoon, oboe or double reed ensemble repertoire suggestions and great customer service. 802.633.4014
Double
Reed Vendor. Great selection. Their student cane is very fine.
Includes
New and Used bassoons and bocals for sale
Woodwind
Vendor with Instruments and Accessories. Often basement prices on reeds, tuners and
other basic supplies.
Woodwind
vendor with Instruments, Accessories, etc. Often the lowest prices on cane. Check their clearance section.
Woodwind
Vendor with instruments, accessories, etc. Good for basics.
Double
Reed vendor with Instruments, Reeds, Tools, Accessories, etc. Tend to have good
prices! Great customer service.
Double
Reed Vendor. Specializing in oboe and English horn.
Based
in Massachusetts, Stuart Dunkel and Kristen Severson provide consistently
excellent gouged cane as well as professional quality oboe reeds.
Kingston, NY. North
America's widest selection of new and used oboes and English horns. Check out
Boris' corner.
Extensive
selection of woodwind instruments, accessories and supplies. Located in Los
Angeles, they offer repairs and overhauls for instruments.
Extensive
selection of oboe accessories and supplies.
Founded
in 1922, the RIGOUTAT Company specializes in high-quality oboes, oboes d'amore,
Cor Anglais and bass oboes.
Double
Reed Vendor. Good selection. Good prices on reedmaking tools.
Double
reed vendor and reedmaker
Double
Reed Vendor. Boasts largest selection of Heckel bassoon and contra bocals in
the U.S. Very good prices and service
Site
for Moosman bassoons, Danzi reeds and cane, Rieger and 2x tools and accesories.
Comes down to NCMEA each year
An
absolutely excellent site if you want to learn more about career options in
music.
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